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Senior Art 2004
Unitarian Universalist Church, 28 Mugford Street

Senior Art, Festival 2001.
Co-Chairs Michael Haley and Patty Loynd; and Award Winners (l-r) Jerry Wishnow, Tom Walkey, Nordia Kay, Herb Goldberg, and Annette Riskin.

Senior Art is a non-juried exhibit of original work by persons fifty-five years of age and older. Categories include crafts, drawing, painting, photography, printmaking, sculpture, and wood carvings.

Louise Remick Brown Award (LBA)
Louise Remick Brown was an accomplished artist and co-creator of the Senior Art Exhibit. She was passionate about art, about the people who created it, and about the community in which she lived. In 1986, she joined the Festival as an exhibit sitter. She actively supported senior participation in the Festival and, with Chairpersons Ruth Whitty and Shirley Kupka, went on to establish the Senior Art Exhibit. Louise developed a great love for needlepoint which she exhibited regularly at the Rusty Rudder. Her needlepoint set of dining room chair seat covers, based on the Jazz series of Henri Matisse, became the subject of a Boston Globe Profile in 1987. Louise died in 1996 at the age of 78. The first Louise Remick Brown Award, established and selected by her family, was given during the 1996 Festival of Arts.

Award Winners:Tom Walkey (BOS), Herb Goldberg (OSW/LBA), Annette Riskin (OSW), Nordia Kay (HON), Millie quill (HON), Jerry Wishnow (HON), and Barbara Galvin Lee (HON)

Chairpersons: Patty Loynd and Mike Haley

Committee: Susan Redfield, Carolyn Thompson, Bob Sinclair, Christine Koretz

Judges

Chuck Ott, a native of South Jersey, developed his interest in painting from watching his father work through many a canvas. Chuck's curiosity in the visual arts has led him on a journey through the obvious and to the extraordinary. After studying printmaking at the Portland School of Art, Chuck ventured to the Vermont Studio Center and then to Montana State University where he completed his Masters in painting. For the past 6 years, Chuck has taught at Montserrat College of Art. He previously taught at Western Carolina State, Colgate University, the Munson Williams-Proctor Institute, and Syracuse University. Chuck's primary interest in painting resides in the manipulation of oils, encaustic, woodblocks, and drawing while his subject matter ranges from geometric abstraction to cosmic anomalies and the internal mechanisms of the human body, especially the brain.

Benjamin Gross, an Associate Professor in the Salem State College Art Department since 1997, earned a Bachelor of Fine Arts from the University of Delaware and a Master of Fine Arts from Cranbrook Academy of Art. His work has been shown in regional, national, and international exhibitions, including the International Group Exhibit of Contemporary Artists — Modern Printmaking Defined, at the Awa Gin Plaza Gallery in Tokushima City, Japan; Gallery 401 in Providence, Rhode Island; Mangel Gallery in Philadelphia, Pennsylvania; Cranbrook Art Museum in Bloomfield Hills, Michigan; Print Matters — Invitational Exhibition at California State University in Long Beach, California; and the Janice Charach Epstein Gallery in West Bloomfield, Michigan. He has exhibited locally at Lynn Arts in Lynn; OtisRein Gallery in Ipswich, Essex Art Center in Lawrence, and the Shaunessey–Kaplan Rehabilitation Center in Salem.

Haig Demarjian, Assistant Professor of Art at Montserrat College of Art and Salem State College, earned a Bachelor of Arts at Middlebury College, Vermont; and a Master of Arts and Master of Fine Arts in Printmaking and Painting at the University of Wisconsin in Madison. Since 1991, Haig has exhibited extensively throughout the United States, Canada, and abroad, with nine solo exhibitions including his first museum show in November, 1994. He has received numerous grants and awards with work represented in several international collections, including the permanent collections of the Milwaukee Art Museum, the Museum of Contemporary Art in Panama, the International Museum of Collage Montage and Assemblage in Mexico City, and the University of Iowa Print Society Collection. Between 1999 and 2002, he produced approximately 700 mixed media works. Documentation of work from this period is visible online at OLTGASM! The Art of Haig Demarjian, www.gis.net/~haigd. Currently he is involved in two major projects: a series of paintings and a long-term, time-based narrative piece.

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Festival 2004 History